What is Engrosser’s Script?

Engrosser’s Script is a style of calligraphy that was widely developed and produced during the late 1800s and early 1900s in the United States of America. Its core characteristics are similar to its primary influence—a number of English handwriting variations known collectively as “English Roundhand”.

Generally, Engrosser’s Script is a visually-cursive Latin-based calligraphic script executed with a steel pen point inside of an oblique penholder. The forms are generally forward-leaning 35-40° from vertical, although more extreme varieties in each direction may occur.

Engrosser's Script Specimen by Earl A. Lupfer, 1937

E. A. Lupfer, lessons in Modern Engrosser’s Script – No. 6, 1937

Engrosser’s Script differs from its predecessor in a few unique ways:

  1. ES is not a ‘cursive’ script in the way that it is created. The letters are assembled with a variety of strokes between which the pen is lifted from the paper. This is known as ‘modularity‘ and thus implies a modular nature of the script.
  2. There is an inherent angularity in the stroke shapes present in specimens of fine Engrosser’s Script which contrasts heavily when compared to English Roundhand from centuries prior. This angularity is most common in the interior structures of the rounded forms (a, c, d, e, &c.) and is thus referred to as ‘interior angularity‘.
  3. Engrosser’s Script’s aesthetic qualities are somewhat determined by the abilities of a steel pen point—a writing instrument that was uncommon before the 1800s[1]. Certain common strokes in ES are impossible difficult to execute with a quill pen. Quills were commonly used in the century prior to Engrosser’s Script’s zenith. This quality is less apparent than the previous two to those who are inexperienced with various writing instruments.

These three characteristics can be used to deduce the nature of specimens of early American writing. With modest effort, one can become acquainted with the intricacies and nuance associated with ES. After this, various smaller natures—unique to ES—become useful in the further classification of the various eras of shaded American writing.

Lester Fields Engrosser's Script

L. Fields, Zanerian Engrosser’s Script Certificate, 1923

Common Aliases

Many calligraphers are confused about the differences between Engrosser’s Script and other, visually similar styles of script (cursive) calligraphy. The distinctions between a few of the most common aliases’ used in place of Engrosser’s Script are simple to outline.

Let’s take a high-level look at some of these terms and discuss their various merits as placeholders for the term in question.

Roundhand

The term ‘Roundhand’ functions best when used as an umbrella term for a variety of different styles of calligraphy. When compared with ‘ES’, the most commonly pictured type of Roundhand is English Roundhand, which is the direct English predecessor to the Engrosser’s Script utilized in America.

It should be noted that during a transitional time in the development of Engrosser’s Script, both “Roundhand” and “Engrosser’s Script” were used in the influential work of E. A. Lupfer titled The Zanerian Manual (1924). Thus, one is not incorrect to use the term in reference to ES, there are simply more accurate terms.

To learn more about the evolution of round writing in England, prior to the development of Engrosser’s Script, see The English Writing Masters and Their Copy-books (1962).

Engraver’s Script

A term used semi-frequently by penmen of the early 20th century is “Engraver’s Script”. This choice of words is in reference towards the various engraving companies that employed large amounts of modular shaded script in their designs for insurance policies, stock certificates, currency, etc. This phrase was further solidified by the titles Lessons in Engraver’s Script Penmanship (Jones, 1911) and Lessons in Advanced Engraver’s Script (Pub. Jones, Plates by Madarasz & Martin). The first of which shows several condensed letterforms consistent with the styles commonly used in materials such as those listed above. The second includes shaded capital letters executed in an ornamental style and a more rapid method of execution.

Being that these two influential publications show disparate styles, we must accept that the term is somewhat confusing from a historical standpoint, as it shares many of the same problems as any other style whose name means so much in general that it points to nothing in particular.

It is our opinion at Masgrimes that “Engraver’s Script” is an acceptable substitute for “Engrosser’s Script” if one’s approach to the style is through the engraving discipline, study of paper ephemera printed from hand-cut engravings, or any publication like the two listed above that distinctly call the style “Engraver’s Script”.

Copperplate

The term ‘Copperplate’ has long been used in connection with fancy cursive handwriting, but the merits of conflating the term with Engrosser’s Script fall short on two simple principals. 1.) Copperplate is already a term used in connection with the Intaglio printing process, which can be used to print any variety of designs, including pictures, text, technical drawings, etc. 2.) Over the last three quarters of a century, Copperplate has been used as a contemporary term to include all variety of shaded round writing, and thus includes so many styles in general that it no longer accurately defines anything specific.

In Conclusion

While there are various names commonly used in place of ES, we must be discerning when we select which term(s) we choose to use to refer to our own practice or in conversations with others. There are distinctions between various names, and fostering deeper understanding of the origins of such names helps to preserve the history and unique qualities that make Engrosser’s Script such a beautiful and worthwhile pursuit.


Dreaming In Script - Engrosser's Script Lessons by Masgrimes

Learn Engrosser’s Script

Are you interested in learning more about this beautiful and unique style of calligraphic script? Have you been looking for a way to learn old-world methods and approaches to the study of formal calligraphy in the comfort and solitude of your own home?

Dreaming In Script is the most comprehensive online course ever published on the topic of Engrosser’s Script Calligraphy. Learn everything from Engrosser’s Script history to the basics of pen use to crafting complex designs. Appropriate for absolute beginners. This course is broken into 12 distinct sections and can be completed at your own pace.