Earlier this month, the Internet Archive suffered a distributed denial of service (DDoS) attack, resulting in a loss of services that lasted nearly a week. While the Archive came back online on 10/24/24, the lack of access to historic penmanship material during this outage shines an important light on the fragility of the preservation efforts […]

So many would-be penmen neglect getting started until they can “get started on the right foot.” I posit that there is not only no “right foot”, but no “wrong foot” either. There is only the first step and the learning experiences that we have along the way.

A generally accepted trinity of desirable qualities in the penmanship ethos is that of rapidity, legibility, and ease. Writing styles that possess these three qualities are likely considered “good” by the general public. Similar to the old saying about “good, fast, and cheap,” certain styles de-emphasize one of these three aspects in favor of the other two. Some styles may be legible and rapid, but not easy, while are others are easy and rapid, but not legible, etc.

Over the last ten years, I’ve written with oblique holders from many different penmakers. I’ve taken the opportunity to ask to try the holders belonging to students in my workshops. I’ve even made several myself. One thing that I know for certain is: A good holder is one that is well adjusted for its owner.